Tag Archives: Social Media

Live In Infamy

My essay at The New Inquiry

Given the shadowy practices of data-harvesting and the ubiquity and permanence of social media information, what kinds of young people will choose to run for office?

By now we’ve been trained to record only those behaviors that reflect well on ourselves, lest our employers interpret our cocktail-crushing prowess the wrong way. But Facebook’s privacy settings are clumsy and easy to circumvent. Elsewhere, blog posts, life-tracking data, consumer preferences, and check-in beacons can just as easily be ripped from their context and misdirected to an unintended audience – and meanwhile, the social networks, publishing platforms and shopping hubs just keep multiplying. For those young people interested in running for office, this poses considerable danger.

In Julie Cohen’s Configuring the Networked Self, the legal scholar reveals how much of our thinking on privacy is stifled by the language of authenticity and illusory control. She begins by reminding us that many of the corporate and political actors who favor strong protection for trade secrets share an economic interest with those who lobby for weaker privacy protection. What connects these two is the desire to commodify information and to harness “infrastructures that render individual activity transparent to third party observers.” Companies want to sell us targeted ads, but they don’t want to reveal how they construct their targeting system. Couched in favorable market language, we’re offered an enhanced, personalized experience, discounts and entertainment, social freedom – in exchange for our participation in an all-enveloping apparatus for market research. Still, we aren’t exactly sure what we’re giving up.

Tagged , , , , , , , , , , , , ,

A Year Without Internet

My new essay at The Awl

Highly educated Americans tell the world that young people are increasingly distracted or emotionally incompetent due to incessant pointer-clicking and unrelenting thumb-pressing. From the stuffed genre of airport-friendly socio-criticism, we’ve learned that networked technologies are making us lonely and small-minded. Apparently no one has ever sent Nicholas Carr, author of The Shallows: What The Internet Is Doing To Our Brains, or Sherry Turkle, of Alone Together: Why We Expect More From Technology And Less From Each Other, a tastefully brief Snapchat. In their best-selling sermons, “the Net” is the devil. Search engines, hyperlinks, and texts ensnare our intellect with the seductive fork tongue of reptilian temptation.

That Paul did not emerge from a mountain of seclusion like Muhammad or Zarathustra, that he did not return a walking Deepak Chopra of prophetic wisdom and Gandhian patience, is not so surprising. In fact, Paul’s failed experiment helps to refute the Internet fear mongering that has propelled the notoriety of the professional “thinking about the Internet” class.

Tagged , , , , , , , , , , , , ,

Hashtag Sympathy: Boston, Disaster Porn And The Law of Zuckerberg

Cyborgology

In my essay for Cyborgology, I explore the use of social media to express sympathy. I critique the media phenomenon known as disaster porn and apply it to the the logic of social sharing on Facebook and Twitter.

…documented sharing incentivizes Facebook and Twitter users to traffic in disaster porn. This is the depiction of destruction or tragedy in ways that do not enlighten, but merely sensationalize, pervert, exploit. The ego-stroking affirmations of social networks—the likes and RTs—the ones that push us to share new music and comment on engagement photos, seem perverse when dealing with gory misfortune. From this unsavory perspective, many of the declarations whizzing around Boston look like sympathy but smell like attention-seeking.

…As with older forms of news media, this risks entering into a perverse agenda-setting of the moral. To accept an attention-grabbing rubric to determine cultural significance is to bolster the same kind of news norms that we recognize to be malevolent. These include a preoccupation with the global north, xenophobic privileging of moneyed American interests, highlighting pornographic disaster over chronic, pervasive crime, a disregard for victims who are not white, downplaying environmental degradation with no immediate, visible harm.

Tagged , , , , , , , , , , , , ,

The Wild Ambition of Youth Journalism And Vice media

Writing in the Guardian, Tim Adams summarizes the allure of Vice, “Twenty years ago Shane Smith set up a hip little Montreal magazine called Vice. Then along came the internet and Vice reinvented itself as the edgiest, wildest online media brand in the world. It’s staffed by twentysomethings and aimed at a global youth who have no interest in mainstream media. Which is why he is courted by everyone from Rupert Murdoch to Google.”

Where public trust towards long standing new outlets has eroded, especially for young people, Vice aims to explore the absurdity of contemporary life and the mass hypocrisy of Western politics. Adams interviews the cofounder and CEO of Vice, Shane Smith, and extracts golden nuggets of media wisdom:

But the fact is four corporations own all of American news, and they are all equally scared of losing Budweiser or whoever as their advertisers. The greatest propaganda coup of the American right has been to convince its citizens that we are in the grip of a liberal conspiracy. As a result, Obama is to the right of Richard Nixon on most issues. And there is we believe, certainly some space to exploit there.” He pauses, smiles, concludes his lesson for the day. “And we, Vice, aim to exploit it.

Tagged , , , , , , , , , , , ,

Fast & Furious 6 Ignites Fan Ad Campaign

Fast And Furious 6

The New York Times

When the Super Bowl commercial for Fast 6 came on, the room erupted. When the trailer featured a car killing an airplane someone threw the bowl of chicken wing bones in the air. And when Michelle Rodriguez’s character appeared in the last frame I fainted.

The franchise has achieved a strange and popular allure, running on the kind of horrible-but-awesome plots usually reserved for old-school Schwarzenegger movies, Roadhouse and Taken 1 – infinity.

Writing in The New York Times, Brooks Barnes reports that Universal, the movie studio promoting the film, has seized upon the fan frenzy. Through creative marketing techniques studio executives are trying to amp up the hype and drive up ticket sales. *Cut to Vin Diesel pressing down on the NOS*

Some notable next level marketing: Universal chose not to release a teaser trailer pre Super Bowl and instead initiated a supercharged ad campaign once the commercial aired. The studio harnessed the wild popularity of it’s stars–Vin Diesel, The Rock, Ludacris– who were encouraged to share posts, pictures and tweets that included behind the scenes material. In addition, fans of the series were polled and actually listening to: the movie’s title, the inclusion of The Rock and the return of Ms. Rodriguez are all ideas that came from the crowd.

Tagged , , , , , , , , , , , ,

Facebook And Documentary Vision: Viewing The World As An Always Potential Past…Or As A Snapchat

“The tension between experience for its own sake and experience we pursue just to put on Facebook is reaching its breaking point. That breaking point is called Snapchat.” This begins a sophisticated and accessible essay in The New Inquiry by the sociologist Nathan Jurgenson. Fascinated by photographs and the act of consuming images, Jurgenson discusses how the culture of photography has changed under the ever-presence of social media.

For those who live with status updates, check-ins, likes, retweets, and ubiquitous photography, such an understanding is near inescapable. Social media have invited users to adopt a sort of documentary vision, through which the present is always apprehended as a potential past. This is most triumphantly exemplified by Instagram’s faux-vintage filters.

As documentarians and photographers train their eyes to see the profound in the mundane, or to capture movement and emotion in a still image, professional habits become inescapable ticks. Documentary vision is to gaze at the world always with a picture frame in mind, as if every face, tree, shadow or dinner plate is a potential photograph. If you follow Jurgenson’s description, social media has now burdened us all with documentary vision. The real world is just material for Facebook.

Riffing off his earlier piece on Instragram and the faux-vintage photo (No, just because that filter makes me and my friends look like we are from the 1940s doesn’t make the frame important or worthy of memory), Jurgenson argues that the abundance of our Facebook galleries have lessened the value of the photograph. All the rehearsed posing and desperate retouching coupled with the limitless capacity of smartphone snapping and storing makes our digital museums less memorable, not more. In a culture where everything is seen as a potential, sharable post, smiling for the camera can be exhausting. (Pretend like you are having fun! Cheeeeeeese!)

This is why Snapchat, the app that lets you send temporary photographs, represents a refreshing change up.

Temporary photography is in part a response to social-media users’ feeling saddled with the distraction of documentary vision. It rejects the burden of creating durable proof that you are here and you did that. And because temporary photographs are not made to be collected or archived, they are elusive…By leaving the present where you found it, temporary photographs feel more like life and less like its collection.

Jurgenson goes on to say that temporary photography like Snapchat can actually help bolster the position of traditional photography. Amid the barf-stream of endless “Mimosa Brunch!!!” pics and “Were you in a frat?” bro photos, Snapchat is private and thus a more meaningful affair. It’s deliberately about nowness, not “Can’t wait to post this.” Snapchat’s fleeting impermanence reminds us why we take pictures in the first place.

“The ephemerality sharpens viewers’ focus: Once received, a Snapchat count-down is a kind of time-bomb that demands an urgency of vision, a challenge to exhaust the meaning from the image before the clock runs out. Unlike a paper photo that fades slowly over the years, the temporary photo disappears suddenly. Given only a peek, you look hard.”

Tagged , , , , , , , , , , , , ,

Illustrations Of A Digitized Life

Jailhouses by Felipe Luchi

“Jailhouses” By Felipe Luchi for Go Outside Magazine

Jailhouse by Felipe Luchi

“Jailhouses” By Felipe Luchi for Go Outside Magazine

Jailhouses by Felipe Luchi

“Jailhouses” By Felipe Luchi for Go Outside Magazine

Check out Felipe Luchi’s artwork.  Via Gizmodo.com

Tagged , , , , , , , ,

Facebook’s New Social Search

Last week Facebook unveiled it’s newest product, or what Mark Zuckerberg called Facebook’s newest pillar: Graph Search.

Using natural language, users will be able to search within Facebook for things like: “friends who live in Seattle,” or “friends who listen to Kanye.” It’s very similar to how we use Google. The upshot, of course, is that Facebook is filled with all kinds of personal data that is not accessible to Google’s indexing and the wider internet.

Using our “social graph,” Facebook’s nerd language for the online networks we’ve woven together, Zuckerberg and company will offer a personalized search. Rather than use complex algorithms informed by people’s online behavior (like Google), Facebook will run it’s custom query using our friends and jobs, the things we’ve “liked” and the places we’ve been.

As I’ve written before, this is exactly what the new Foursquare is doing.

While many tech observers see “social,” “local,” or “personalized,” as the future of search engines, there are reasons to avoid the quick embrace. For starters, Google works pretty damn well. Secondly, if I’m looking to a trustworthy friend to recommend a restaurant or a mechanic, wouldn’t I just text that person?

Another issue mentioned by many reporters is that most people don’t use Facebook or Foursquare the way power users do. So while, in theory, a personalized social search may be more valuable to me it’s also a lot more limited in scope. How many of your friends actually rate their music and movies and then post online? (Usually it’s just that crazy handful of people who blow up your news feed.)

Facebook’s promo vid makes this kind of information culling look like an enriching experience. While I’m very skeptical, I’ll wait for the roll out before I become a full on naysayer.

Tagged , , , , , , , , ,

Journalism Worthy Of Web Culture: Syria Deeply And The Single Story Website

Nieman Journalism Lab

Nieman Journalism Lab

In reporting war and conflict, the traditional news article can often be a detriment to understanding. By sketching narratives that any reader can understand, journalists often state and restate basic facts and storylines, leaving layered back-story or relevant tangents unwritten. New names, battlefields and rising death tolls are reported, but these are mere additions, extra sentences slapped on at the end.

What if instead, complex subjects were reported in an innovative way, using interactive timelines and maps where readers decide how “deep” they want to dive into a subject?

Lara Setrakian, founder of the website Syria Deeply, writes on the success of such a journalistic endeavor:

It is part news aggregator, part interactive backgrounder, part original reporting space. Most importantly, it aims to fuse all of the kinds of content that have become critical to this crisis: professional reporting, citizen journalism, and social media. We wanted to visualize more, convey greater nuance, and focus on civilian stories, rather than just emphasize the big shots and the battle action that normally lead our headlines.

And here is the actual site: Syria Deeply

Tagged , , , , , , , , ,

How To Measure Influence?

Darcel Dissapoints - NYTimes

Darcel Dissapoints – NYTimes

Even as social media collect an increasing amount of data about our personal preferences, quantifying taste is exceedingly difficult.

The tech journalist Stephen Baker, writing in the NYTimes, frames the recent paradigm shift in advertising like this: Where clever humanists, “Mad Men” advertisers like Don Draper draw from the liberal arts to predict and guide our shopping behavior, search technology like Google has recently enabled a more quantitative approach.

Baker writes:

In the last decade however, those numbers people have rocketed to the top. They build and operate the search engines. They’re flexing their quantitative muscles at agencies and starting new ones. And the rise of social networks, which stream a global gabfest into their servers, catapults these quants ever higher. Their most powerful pitches aren’t ideas but rather algorithms. This sends many of today’s Don Drapers into early retirement.

While this narrative may lead one to believe that advertising on social media is the next frontier, Baker provides evidence suggesting otherwise.

Corporate advertisers are devoting only a modest 14 percent of their online budgets to social networks. According to comScore, a firm that tracks online activity, e-commerce soared 16 percent from last year, to nearly $39 billion this holiday season. But advertising from social networks appeared to play only a supporting role. I.B.M. researchers found that on the pivotal opening day of the season, Black Friday, a scant 0.68 percent of online purchases came directly from Facebook. The number from Twitter was undetectable.

Interestingly, Baker goes on to suggest that perhaps social media’s ineffective marketing is merely a function of firms measuring the wrong things.

Baker points out that while Facebook and Twitter may not lead to direct sales, their likes and retweets are potentially valuable, in nudging our inclinations. He writes, “The impact of new technologies is invariably misjudged because we measure the future with yardsticks from the past.”

Tagged , , , , , , , , , ,
Follow

Get every new post delivered to your Inbox.

Join 288 other followers